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      <title>Medleyville</title>
      <link>http://www.medleyville.us/</link>
      <description>Music coverage for eclectic tastes</description>
      <language>en</language>
      <copyright>Copyright 2010</copyright>
      <lastBuildDate>Mon, 15 Mar 2010 15:39:07 -0500</lastBuildDate>
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            <item>
         <title>JOE BELOCK&apos;S SXSW 2010 PREVIEW</title>
         <description><![CDATA[<p><img alt="Man or Astroman.jpg" src="http://www.medleyville.us/Man%20or%20Astroman.jpg" width="240" height="228" /><br />
<b>Man or Astroman?</b></p>

<p>As Austin, Texas, prepares to be overrun by musicians from around the world for this year's <a href="http://www.sxsw.com/">South by Southwest</a>, <b>Joe Belock</b> makes life a little simpler by offering his Top 10 acts to check out during SXSW.<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/03/joe_belocks_sxsw_2010_preview.html</link>
         <guid>http://www.medleyville.us/2010/03/joe_belocks_sxsw_2010_preview.html</guid>
         <category>Features</category>
         <pubDate>Mon, 15 Mar 2010 15:39:07 -0500</pubDate>
      </item>
            <item>
         <title>SXSW PREVIEW: THE CONSTELLATIONS</title>
         <description><![CDATA[<p><img alt="The_Constellations.jpg" src="http://www.medleyville.us/The_Constellations.jpg" width="293" height="265" /></p>

<p><i>Southern Gothic</i> (EMI/Virgin), the debut album by the style-blending Atlanta-based collective <a href="http://theconstellationsmusic.com/"><b>The Constellations</b></a>, won’t be released until June 22. But curious music listeners can get a taste of the album by visiting the Constellations site or, better yet, by checking out the band (which tours as a five-piece unit) at one of its many scheduled shows during <a href="http://www.sxsw.com/">South by Southwest</a>.</p>

<p>Leader <b>Elijah Jones</b> took a few minutes to discuss the making <i>Southern Gothic</i>, the music scene in Atlanta and what's on his shortlist of things to do while in Austin, Texas.<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/03/sxsw_preview_the_constellation.html</link>
         <guid>http://www.medleyville.us/2010/03/sxsw_preview_the_constellation.html</guid>
         <category>Features</category>
         <pubDate>Sun, 14 Mar 2010 16:16:36 -0500</pubDate>
      </item>
            <item>
         <title>TAKING CONTROL</title>
         <description><![CDATA[<p><b>Matthew Ryan gets creative with his own label, new video collection</b></p>

<p><img alt="Matthew_Ryan_b&w.jpg" src="http://www.medleyville.us/Matthew_Ryan_b%26w.jpg" width="346" height="276" /></p>

<p>One man's early leak of a new album is another man's staggered release. Singer/songwriter <a href="http://matthewryanonline.com/"><b>Matthew Ryan</b></a> prefers the latter to describe the fall 2009 digital distribution of his latest, <i>Dear Lover</i> (Dear Future Collective), that preceded the mid-February arrival of the physical product in retail outlets.</p>

<p>Whether talking about the thought process behind the two-part release of <i>Dear Lover</i>, why he started his own label or explaining the story arc that runs through the new album, Ryan is not at a loss for words.<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/03/taking_control.html</link>
         <guid>http://www.medleyville.us/2010/03/taking_control.html</guid>
         <category>Features</category>
         <pubDate>Thu, 11 Mar 2010 09:34:05 -0500</pubDate>
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            <item>
         <title>QUICK SPINS: March 2010</title>
         <description><![CDATA[<p><b>Jimi Hendrix, Texas Tornados, Old Man Luedecke and The Postelles</b></p>

<p><img alt="Jimi Hendrix_Valleys of Neptune.jpg" src="http://www.medleyville.us/Jimi%20Hendrix_Valleys%20of%20Neptune.jpg" width="240" height="240" /></p>

<p>* <b>Jimi Hendrix</b> -- <i>Valleys of Neptune</i> (Experience Hendrix/<a href="http://www.legacyrecordings.com/">Legacy</a>)</p>

<p>Each new posthumous <a href="http://www.jimihendrix.com/"><b>Jimi Hendrix</b></a> release makes it seem entirely possible that whenever the man plugged in his guitar, a tape machine was rolling to capture whatever he played.</p>]]></description>
         <link>http://www.medleyville.us/2010/03/quick_spins_march_2010.html</link>
         <guid>http://www.medleyville.us/2010/03/quick_spins_march_2010.html</guid>
         <category>Reviews</category>
         <pubDate>Mon, 08 Mar 2010 20:18:05 -0500</pubDate>
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            <item>
         <title>A KINKY COLLABORATION</title>
         <description><![CDATA[<p><b>The 88 hits the road with Ray Davies</b></p>

<p><img alt="The_88.jpg" src="http://www.medleyville.us/The_88.jpg" width="301" height="217" /></p>

<p>Only time will tell if the rumored <b>Kinks</b> reunion tour will become a reality. Meanwhile, leader <b>Ray Davies</b> hit the road recently with a very capable band in <a href="http://www.the88.net/"><b>The 88</b></a> backing him on classic Kinks songs.</p>

<p>The Los Angeles-based quartet may not be a household name, but its music has made its way into households nationwide via song placements in various network TV shows (such as CBS' <i>How I Met Your Mother</i> and NBC's <i>Community</i>) and through performances on late-night TV talk shows (among them <i><b>Jimmy Kimmel</b> Live!</i> and <i>Last Call With <b>Carson Daly</b></i>).</p>

<p>Singer/guitarist <b>Keith Slettedahl</b> recently talked about how The 88 landed the opening/backing spot on the Davies tour, the value of distributing music through TV shows, movies and commercials and what it was like for his band record an entire song using an Apple iPhone.</p>]]></description>
         <link>http://www.medleyville.us/2010/03/a_kinky_collaboration.html</link>
         <guid>http://www.medleyville.us/2010/03/a_kinky_collaboration.html</guid>
         <category>Features</category>
         <pubDate>Fri, 05 Mar 2010 12:59:54 -0500</pubDate>
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         <title>PETER GABRIEL -- SCRATCH MY BACK</title>
         <description><![CDATA[<p><b>Minimalism makes for an intriguing project</b></p>

<p><img alt="Peter Gabriel_Scratch My Back.jpg" src="http://www.medleyville.us/Peter%20Gabriel_Scratch%20My%20Back.jpg" width="240" height="240" /></p>

<p>For his daring all-covers album, <i>Scratch My Back</i> (EMI), <a href="http://www.petergabriel.com/"><b>Peter Gabriel</b></a> reworks classic as well as lesser-known works, and the former <b>Genesis</b> frontman does so with good intentions.</p>

<p>The end result is a grand success and noble failure at the same time.</p>]]></description>
         <link>http://www.medleyville.us/2010/03/peter_gabriel_scratch_my_back.html</link>
         <guid>http://www.medleyville.us/2010/03/peter_gabriel_scratch_my_back.html</guid>
         <category>Reviews</category>
         <pubDate>Wed, 03 Mar 2010 10:48:46 -0500</pubDate>
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            <item>
         <title>AN EXHIBIT FIT FOR A KING</title>
         <description><![CDATA[<p><b>Newseum examines Elvis Presley's impact on popular culture</b></p>

<p><img alt="Elvis Presley_Louisiana Hayride.jpg" src="http://www.medleyville.us/Elvis%20Presley_Louisiana%20Hayride.jpg" width="250" height="330" /></p>

<p>Jet-black dyed hair, long sideburns, frenzied performances, flashy clothes, innovative music, mediocre movies -- when <a href="http://www.elvis.com/"><b>Elvis Presley</b></a>'s name is mentioned, these are some of the things that immediately come to mind.</p>

<p>But don’t forget about freedom of expression, censorship and massive media exposure.</p>

<p>In its exhibit <a href="http://www.newseum.org/exhibits_th/elvis/"><i>Elvis! His Groundbreaking, Hip-Shaking, Newsmaking Story</i></a>, the <a href="http://www.newseum.org/">Newseum</a> in Washington, D.C., takes an all-encompassing look at Presley's personal life, career and overall impact on popular culture.</p>]]></description>
         <link>http://www.medleyville.us/2010/03/an_exhibit_fit_for_a_king.html</link>
         <guid>http://www.medleyville.us/2010/03/an_exhibit_fit_for_a_king.html</guid>
         <category>Features</category>
         <pubDate>Mon, 01 Mar 2010 11:12:09 -0500</pubDate>
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            <item>
         <title>SAM MOORE</title>
         <description><![CDATA[<p><b>Highline Ballroom -- New York<br />
Feb. 21, 2010</b></p>

<p><b>Sam Moore</b> doesn't dance around the stage anymore like he did during his <b>Sam and Dave</b> days, but he remains a passionate singer with a voice that's hard to find in today's soul and R&B.</p>

<p><img alt="Sam Moore_3.jpg" src="http://www.medleyville.us/Sam%20Moore_3.jpg" width="250" height="373" /></p>]]></description>
         <link>http://www.medleyville.us/2010/02/sam_moore.html</link>
         <guid>http://www.medleyville.us/2010/02/sam_moore.html</guid>
         <category>Photo gallery</category>
         <pubDate>Mon, 22 Feb 2010 10:42:02 -0500</pubDate>
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            <item>
         <title>HER SHIP HAS COME IN</title>
         <description><![CDATA[<p><b>Recent career choices have worked out well for April Smith</b></p>

<p><img alt="April Smith_color.jpg" src="http://www.medleyville.us/April%20Smith_color.jpg" width="250" height="375" /></p>

<p>When <a href="http://www.aprilsmithmusic.com/"><b>April Smith</b></a> needed money to record a new album, she turned to the fans. Not in a folkie pass-the-hat way or by employing public broadcasting-style pleading from the concert stage. The singer hooked up with <a href="http://www.kickstarter.com/">Kickstarter.com</a>, a fan-funding site that helps artists and creators reach their predetermined financial goals for specific projects.</p>

<p>Thanks to more than 200 backers, Smith not only reached her dollar goal in a two-month period, she surpassed it.<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/02/her_ship_has_come_in.html</link>
         <guid>http://www.medleyville.us/2010/02/her_ship_has_come_in.html</guid>
         <category>Features</category>
         <pubDate>Sun, 21 Feb 2010 09:37:51 -0500</pubDate>
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            <item>
         <title>THE GARY PIG GOLD REPORT, Vol. 23</title>
         <description><![CDATA[<p><b>GPG's '90s TOP 19</b></p>

<p><img alt="GPG23_art.jpg" src="http://www.medleyville.us/GPG23_art.jpg" width="250" height="250" /></p>

<p>I'm still in a most list-ful mood, but <i>this</i> roundup certainly wasn't a very easy one to compile, I'll have everyone know. The pickins were extremely, uh, thin, to say the very least.</p>

<p>Nevertheless, here are my Top 19 from the 1990s:<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/02/the_gary_pig_gold_report_vol_2_4.html</link>
         <guid>http://www.medleyville.us/2010/02/the_gary_pig_gold_report_vol_2_4.html</guid>
         <category>Columns</category>
         <pubDate>Fri, 19 Feb 2010 10:20:21 -0500</pubDate>
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            <item>
         <title>DISC DISCUSSION: JOHNNY CASH -- AMERICAN VI: AIN’T NO GRAVE</title>
         <description><![CDATA[<p><img alt="Cash_American VI Ain't No Grave cover.jpg" src="http://www.medleyville.us/Cash_American%20VI%20Ain%27t%20No%20Grave%20cover.jpg" width="300" height="300" /></p>

<p>In the months leading up to his death in September 2003, ailing country icon <a href="http://www.johnnycash.com/"><b>Johnny Cash</b></a> recorded the final album of his acclaimed <b>Rick Rubin</b>-produced American Recordings series. Medleyville's <b>George Henn</b> and <b>Mike Madden</b> have the lowdown on The Man in Black's last effort, <i>American VI: Ain’t No Grave</i>, which is due Feb. 23 -- three days before what would have been Cash’s 78th birthday.</p>]]></description>
         <link>http://www.medleyville.us/2010/02/disc_discussion_johnny_cash_am.html</link>
         <guid>http://www.medleyville.us/2010/02/disc_discussion_johnny_cash_am.html</guid>
         <category>Reviews</category>
         <pubDate>Sun, 14 Feb 2010 09:15:10 -0500</pubDate>
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         <title>Q&amp;A: ALLISON MOORER</title>
         <description><![CDATA[<p><img alt="Allison Moorer_1.jpg" src="http://www.medleyville.us/Allison%20Moorer_1.jpg" width="299" height="230" /></p>

<p>As the follow-up to 2008's <i>Mockingbird</i>, a collection of mostly cover songs, singer/songwriter <a href="http://allisonmoorer.com/"><b>Allison Moorer</b></a> is set to release <i>Crows</i>, her first album for the <a href="http://www.rykodisc.com/">Rykodisc</a> label, on Feb. 9.</p>

<p>Moorer recently talked about how her craft has changed since recording <i>Mockingbird</i>, her working relationship with longtime collaborator <b>R.S. Field</b> (who produced the 13-track <i>Crows</i>) and the influence her husband, <b>Steve Earle</b>, has had on her guitar playing.</p>]]></description>
         <link>http://www.medleyville.us/2010/02/qa_allison_moorer.html</link>
         <guid>http://www.medleyville.us/2010/02/qa_allison_moorer.html</guid>
         <category>Features</category>
         <pubDate>Sun, 07 Feb 2010 13:02:16 -0500</pubDate>
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         <title>A LOGISTICAL THREAD</title>
         <description><![CDATA[<p><b>Sensible touring schedules matter to Barefoot Truth</b></p>

<p><img alt="Barefoot Truth_color.jpg" src="http://www.medleyville.us/Barefoot%20Truth_color.jpg" width="325" height="215" /></p>

<p>The road can really make or break a band, no matter how long the act has been around or the length of the tour.</p>

<p>Just a few years after forming, <a href="http://www.barefoottruth.com/index.php"><b>Barefoot Truth</b></a> embarked upon a weekend trip in spring 2007 that wasn't exactly a <i>Spinal Tap</i> adventure, but it did prompt everyone to think long and hard about future touring.</p>]]></description>
         <link>http://www.medleyville.us/2010/02/a_logistical_thread.html</link>
         <guid>http://www.medleyville.us/2010/02/a_logistical_thread.html</guid>
         <category>Features</category>
         <pubDate>Mon, 01 Feb 2010 22:07:47 -0500</pubDate>
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         <title>ON THE WRITE TRACK</title>
         <description><![CDATA[<p><b><i>Idol</i> alum Katharine McPhee grows as a composer</b></p>

<p><img alt="Katharine McPhee.jpg" src="http://www.medleyville.us/Katharine%20McPhee.jpg" width="348" height="266" /></p>

<p>When making their first albums, <a href="http://www.americanidol.com/"><i> American Idol</i></a> winners and high-placing runners-up tend to rely heavily on outside material, just like they did when competing on the Fox series.</p>

<p><a href="http://www.katharinemcphee.com/"><b>Katharine McPhee</b></a> finished second to <b>Taylor Hicks</b> on <i>Idol</i> in 2006, and she released her self-titled debut album the following year. True to form, it was dominated by songs written by others.</p>

<p><i>Unbroken</i> (Verve/Forecast), released Jan. 5, is a different story: McPhee had a hand in writing half of the album's 12 official songs (a version of <b>Melanie</b>'s "Brand New Key" is listed as a bonus track).<br />
</p>]]></description>
         <link>http://www.medleyville.us/2010/01/on_the_write_track.html</link>
         <guid>http://www.medleyville.us/2010/01/on_the_write_track.html</guid>
         <category>Features</category>
         <pubDate>Wed, 27 Jan 2010 10:57:24 -0500</pubDate>
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            <item>
         <title>THE GARY PIG GOLD REPORT, Vol. 22</title>
         <description><![CDATA[<p><b>ELVIS AT 75 … AND BEYOND</b></p>

<p><img alt="GPG22_art.jpg" src="http://www.medleyville.us/GPG22_art.jpg" width="275" height="365" /></p>

<p>Why <b>Elvis Presley</b>?</p>

<p>I mean, why should anybody, anywhere, care anymore?</p>

<p>Well, first of all, if it hadn’t been for Elvis, we simply wouldn't be sitting here reading this right now. Really! </p>

<p>Think about it: If you like, write or think about, and/or <i>make</i> rock 'n' roll music, Elvis – indirectly or not – is the reason why.</p>]]></description>
         <link>http://www.medleyville.us/2010/01/the_gary_pig_gold_report_vol_2_3.html</link>
         <guid>http://www.medleyville.us/2010/01/the_gary_pig_gold_report_vol_2_3.html</guid>
         <category>Columns</category>
         <pubDate>Fri, 22 Jan 2010 13:38:25 -0500</pubDate>
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